Sunday, 14 March 2010

London Porter - how it differed from Dublin Porter

I thought you might like to know what Faulkner had to say about London Porter.And how its ingredients and method of manufacture differed from Dublin Porter.

"In coming to England we have very different processes in operation, the only common property, perhaps, being the use of waters deficient in or destitute of saline character. I may as well say, at this point, that so strong a view exists respecting necessity of softness, that in cases where the available brewing water happens to be at all saline, it is customary to soften the brewing water by employing saline bodies that have not only an extractive capacity, but also the power of throwing out of solution salts constituting permanent hardness, thus leading to practical softening of the water, and a double increase of its special extractive power.

I do not know if this process is to be exactly commended; it is better, perhaps, for a water to be naturally extractive instead of being made so artificially, while the carbonates of soda and potash may extract from malt a good deal of material that would be quite as well left behind. At the same time both these bodies are used very extensively, the latter, perhaps, by preference, to the extent of 80 to 85 grs. per gall., and if any calcic sulphate happens to exist in the water, it is thrown out of solution as carbonate, while the sodic or potassic sulphate is neutral, or apparently so, in influence. The London system, a few years ago, depended simply on the employment of deep-well water, naturally containing, as taken from the tertiary beds below the clay, a quantity of alkaline carbonates ; three and sometimes four malts were used, the resulting beer generally going straight into the cellars of the publican, while the better qualities were vatted for a certain length of time.

This proves at once the entirely different character of the porter common to London; it is mild, full tasted, and absolutely free from acidity. Recently, the system has been modified, raw sugar coming into pretty general use, this, probably determining the more speedy consumption of the beer, giving it at the same time greater sweetness; but much of the distinct flavour depends on the fact that many varieties of malt were and are still used, while boiling pressure and bulk during fermentation contribute no doubt in no small degree to the definite flavour that attaches to the black beer of this centre.

It is difficult to speak with respect on a process that turns on the free use of inferior material, and the speedy consumption of the resulting beer; and it is not wide of the mark to say that two-thirds of the London porter is utterly devoid of the least stability. It is consumed, indeed, almost prior to the completion of fermentation, the last traces of yeast being removed by artificial fining, carried out at a stage that leaves the beer moderately fresh to the palate — i.e., the flattening is not so great by fining as if carried out later.

The common course is merely to work out with finings, as described previously, and I presume that the practically rapid turn over of capital that is possible with a strictly tied trade, and by such modus operandi, sufficiently justifies the adoption of it; but, as compared with the Dublin system, it sinks into insignificance.

The dangers resulting from the use of raw sugar have been already referred to ; they combine to produce those disasters which the large London brewers are known to experience. It is all very well to secure stability for short periods by the use of strong antiseptics ; but that surely is not good brewing, and with this remark I may leave the users of raw unrefined sugars to proceed as they think proper. One benefit, perhaps, that attaches to such a process is the ready fermentability of the finished beer, for the heading principle is by no means general when the black beer is so produced, while, if found necessary, it commonly consists of the same raw sugar in concentrated form.

It is curious to observe the different flavours that can be produced by slight variation in percentage intermixture of grist. The four or five varieties of malt common to London may be described as pale amber, crystalline, brown, and black; and it is by mixing three of these, or all of them, in different proportions that enables each brewer to suit his own palate judgment or the requirements of his customers.

A very common percentage is 82 pale, 12 brown, 6 black, while others producing the black beer of more liquorice flavour double the quantity of brown malt. A great deal is supposed to depend upon temperature of fermentation, the majority of London brewers working as high as 80°, a temperature which is held to determine a distinctiveness of flavour much liked. There is, of course, nothing difficult to understand about this, each range of temperature corresponding to a different species of ferment development, an extreme instance of this being seen on the one hand in the case of bottom fermentation, on the other in the fact that "caseous ferment " is the only example of alcoholic cell life that will develop at a temperature of 120°.

This covers, I think, the proceedings common to London breweries: the water is soft, the material good, if for the production of heavy-vatted stouts ; a perfect medley when the ordinary London public-house porter is required. Fermented very carelessly, it is either fined in large vats or sent to the publican in such a condition that when fined it will eject the fining material from the bung-hole, the porter being immediately afterwards drawn for consumption, and, if we are to believe some people, capped with an artificial head of fining froth."
"The theory and practice of modern brewing" by Frank Faulkner, 1888, pages 264-268.


It's evident from this passage that "heading" is another term for primings.Nice to get that cleared up.

London brewers did indeed usually have grists of pale, amber, brown and black malt in various combinations. The continued use of brown malt being one of the major differences between London and Dublin Porter brewing.

The point Faulkner makes about how supplying mostly their own tied houses encouraged London brewers to ship their beer very young is an intriguing one. The time when he was writing was just when the majority of English pubs were becoming tied. Guinness (along with Bass) were unusual in not building a tied estate but instead relying on selling their beer in pubs owned by other brewers. Its a policy still pursued by Guinness today.

It seems that the days of vatting standard-strength Porter were long gone and that it was almost exclusively sold "mild". The high levels of residual sugar implies that it had also become a sweeter drink than it its heyday. Could the changes in production methods have been the seed of London Porter's eventual downfall?

I'll probably contuinue with Faulkner's description of the third type of Porter: provincial Porter. Tomorrow, maybe. Or next week. Sometime between now and the apocalypse.

Saturday, 13 March 2010

Dublin Porter

Barclay Perkins were not alone in considering blending the defining feature of Irish Stout. Frank Faulkner, writing in the 1880's, concurred. His description of the blending process is well worth reporducing here.


"I suppose that Dublin porter, especially that produced by one firm, stands out pre-eminently as a special and distinct type of beer, and just as Mr. Steele, in his work on brewing, asserted that the whole success of the original London porter brewer turned upon the adoption of deep and closed-in coppers, so much of the distinctive character of the Dublin porter spoken of depends undoubtedly upon the immense capacity of the store vats.

According to Mr. Steele's idea, restricted convection and increased temperature of ebullition decide more perfect caramelisation of wort extract; and, on the other hand, depth during storage determines definite fermentative changes and the development of special varieties of alcoholic ferments. Now let me, in full view of these two distinct influences, which depend altogether upon plant arrangement, and which have been undoubtedly accidentally adopted, describe the main features of the Irish process.

First of all, there is the undoubted softness of water, that used in Dublin being a mixture of mere canal Dublin water, and river water, the organic impurity of which is counterbalanced, comparatively, by the antiseptic nature of wort constituents; then follows the selection of material, there being but little diversity of opinion as to what proportion of the different descriptions are most suited to the special flavour requisite, while as a general rule the Dublin brewers strictly adhere to exceptionally good pale and black malts, the proportion varying from 90 to 94 of so-called pale, according to its exact colour yield, and the balance of black. This is a very simple matter — a mere question of colour ; and all I want to point out is that brown, amber, or crystalline malts are not used in this centre.

There is little to say about the actual mashing process, boiling, or collection of wort.

Invariably using good material there is no necessity for stewing or any of the careful manipulation that is usual when dealing with inferior malt, when employed for the production of pale beers. The wort is frequently, indeed, procured by making up lengths, the liquor of which has been sparged over goods at the boiling temperature, while enormous boiling quantities leading to extreme caramelisation are submitted to ebullition in closed coppers.

It is pretty clear, then, that by employing material of the nature referred to, mashing it at comparatively low temperature, and rapidly boiling off the collected worts, a dry extract is obtained, abnormally rich in dextrin, albuminous, and inert bodies, a combination which invariably ensures palate fulness; but it is not exactly the character of wort that has gained for Dublin the renown undoubtedly attaching to its black beers, this being due more to a peculiarity of flavour, partly acquired through the fermentation of immense bulks, the storage of similar bulks for prolonged periods in vats, and the very careful system of "blending" carried out.

For instance, a Dublin brewer, we will say, brews in the season large quantities of a high-gravity stout at 32 to 35 lbs. [1089º to 1097º] saccharometer weight, this being stored in the immense vats mentioned for some twelve months, although it is possible that this period of storage varies according to the time when the matured flavour commences to develop, this matured heavy stout constituting, as I may describe it, the flavouring portion of the mixed or blended beer that is afterwards disposed of locally or exported.

Next we have the mild porter, brewed daily according to requirements upon the usual lines, but not finally vatted; and, thirdly, we have the "heading," which, in several of the breweries, consists of a portion of very strong first wort partially fermented, say to half original gravity, and clarified to a definite extent by skimming; this prepared day by day, and employed, as I may express it, perfectly fresh, and in that exact condition of quietude that each brewer finds necessary.

There is nothing difficult in seeing that if these three distinct beers — the one matured, the other mild and clean, and the third half-fermented, be mixed together in different proportions, we can secure a great many varying flavours, degrees of fulness, and tendency to early cask condition.

In other words, the required flavour and condition for the several trade outlets are arrived at, not by uniformity of intermixture, but by a perfectly distinct variation in the several percentages of vatted, mild, and heading descriptions. I have no hesitation in saying that the success of Messrs. Guinness depends on good material, great bulk during fermentation and vatting, and ingenious intermixture of different qualities of produce, whereby a perfectly uniform palate flavour is secured.

For instance, what would be the proceeding for a mere local demand? It might be summed up thus : A large and definite proportion of mild, a dash of matured, a heavy quantity of what is termed gyle or heading, and a warm racking room, to give the immediate cask condition; while, on the other hand, and to simply give the extreme case for export, the proportionate intermixture would be entirely different and the heading would sink to a minimum.
This general principle underlies the whole of the several processes common to Irish breweries, but I think it would be manifestly unfair to enter into further detail. Many people have attempted to imitate the treble intermixture process by substituting returned porter or old beer, which has been bought, for what I have described as the matured or vatted stout, and by using, for heading purposes, actual fermenting wort or simple malt flour, but in every case complete failure has resulted. The old, or returned beer is different in every way to stout matured under pressure, while the fermenting wort or the malt flour, however vigorous they may be in the direction of inducing condition, are in no sense comparable with a strong wort partially fermented; since, in one case, we are introducing developing yeast wholesale, in the other merely wort with high fermentative capacity, freed from excess of yeast-forming matter by the semi-fermentation that it has passed through.

I do not think that the Irish brewers touch sugar at all; it certainly would not answer for the special kind of beer produced by the one firm that exports alone 350,000 barrels a year, and I hold that, as this export does not represent tied trade in any sense, it practically means perfect system of production. In main, I have pointed out the principle on which such production depends, while there is no doubt that, theoretically speaking, it is both interesting and instructive.

I have often heard brewers extol the peculiar softness of their own stouts, but they have generally ended with the remark that, do what they will, they cannot procure the exact Dublin flavour. They will not, perhaps, wonder at this after reading the above description of the Irish process; and I again lay special stress upon pressure, grist proportion, and uniform blending of distinct quantities of three definite beers."
"The theory and practice of modern brewing" by Frank Faulkner, 1888, pages 260-264.

Though he only mentions them once by name, he's clearly discussing Guinness and their methods.

The Guinness grist, as I've said many times, was different to that used in London, consisting of just pale and black malt. But, if we're to believe Faulkner, it wasn't this that set it aprt from English beers. The large volume in the fermenters, vatting in large quantities and careful blending that's what lent it a unique character.

If you think about it, there's a certain irony there. Large volumes, ageing and blending: they were are all important in London Porter brewing until around 1850 or so. The success of Guinness demonstrates that there was still a considerable market for partially-aged beer, even though the process had been largely abandonned by English brewers.

What surprised me about the Guinness process was the third beer, or "heading".  Never come across something like that before. It's not clear exactly when this was blended in. Perhaps at racking time to serve as a sort of priming.

Given the failure of other English brewers to emulate Guinness, I wonder if Barclay Perkins had any luck with their Irish Stout type?

Friday, 12 March 2010

Black IPA

I'm coming to the conclusion that there's nothing new in the brewing world. Look a bit more deeply and you'll find most of the "innovations" of the last 20 years are nothing of the sort. They've all been done before.

Take Black IPA. When was the first one brewed? 2008? 2003? 1995? Perhaps a little earlier.

"The varying classes of black beer are produced in several distinct centres of brewing by as many different methods, but, as a rule, we have two main principles in operation—the use of a soft water in conjunction with malt of distinctly heavy character, not inefficiently grown, but at the same time not by necessity so fully vegetated as that employed in the production of pale or stock beers.

The possibility of using such material turns upon the fact that a large proportion of the malt used consists of highly caramelised varieties, and, as before explained, caramelised bodies possess a marked preservative or antiseptic character, while the black beers produced are not always required to keep for any very lengthy period. To begin with, then, it is not customary to employ saline waters, or, in other words, if such water be employed the black beer produced is deficient in that roundness and fulness of palate taste that is considered so necessary a feature, while I can example this by referring to the black beer produced at Burton, which has been universally described as a mere black pale ale—i.e., though black in colour, its palate taste reminds one very strongly of the pale beers produced by Burton firms. It will be quite understood that I am not decrying this article; it may and does suit many palate tastes, and is thought a great deal of on the Continent, but at the same time it differs very widely from the accepted standard quality of a black beer as specified."
"The theory and practice of modern brewing" by Frank Faulkner, 1888, pages 259-260.

At least 1888. Black Pale Ale existed at least by then.

Innovation my arse.




Thanks again Gary for the Google books link.

Thursday, 11 March 2010

Strong Ale ca 1955 (part two)

Now we're getting onto the good stuff. The beers with some real umph.


"Original gravities run from 1060º to 1100º, with alcohol from six to ten per cent by volume. Wines run from eight per cent alcohol by volume upwards. There are a few celebration or private brews of even greater strength. A King's Ale brewed by Bass on the occasion of a visit by King Edward VII was found in 1932 to have a present gravity of 1043º, which allowing for less than the usual three-quarters attenuation puts the original gravity above 1125º. To-day this would be taxed at over £1 a gallon, or about two shillings and ninepence a pint. Queen's College at Oxford still brew two handsome ales or college use: a College Ale of 1068.2º and a Chancellor Ale of 1135º, which is eleven per cent alcohol by volume.

. . . .

Strong ales are mostly dark; held up to the light they will show a rich ruby hue, some will have a brown rather than red tinge. Some are filtered, some left to mature in the bottle. Some pour without excessive head, others froth and fob vigorously. Some are well carbonated, others slightly or not at all. Some strong ales are available from the barrel, mostly from bottles. There is a close relationship between Barclay's Winter Brew, the draught beer championship winner at the 1954 Brewers' Exhibition, and their Barley Wine in bottle; and between Younger's No.1 Strong Scotch Ale on draught and their King of Ales in bottle.

Because of their strength, most strong ales are sold in 'nips', small bottles that may be of five- or six-ounce capacity, and prices range from one shilling to one shilling and sixpence. Some are sold in the usual small bottle containing about 10 oz, prices ranging from one shilling and sixpence to two shillings and sixpence. Two of the most celebrated strong ales are Bass No.1 Barley Wine and Benskin's Colne Spring Ale, which are both sold in the 10 oz bottle. Where strong ales are available on draught, and this will normally be only in winter, prices range around three shillings a pint.

Choice between strong ales is limited; rarely will a bar have more than one or two types to offer, yet they are as different as clarets or burgundies from different vineyards. Rich in aroma, they have a rather full sweet flavour which limits their popularity with drinkers of strong liquor whose palates are often attuned to dryer flavours. Some are very much dryer than others, and the informed drinker should be able to get the brand he likes, just as he can select his wine, his whisky or his cigarettes.



Now wasn't that revealing? Not all British beer was piss-weak after WW II. Just most of it.

I'm off to to select my whisky and cigarettes.

Wednesday, 10 March 2010

Drinking my floor

I was going to call this post "Drinking my cellar". Then I realised it wasn't strictly accurate. Because my stock of beer is actually spread around my living room floor. The drinking part is spot on.

Why am I drinking my lying-around-on-the-floor beer? Because of the ZBF. Going there, I didn't have chance to visit Ton Overmars on Saturday. To pick up my weekly supply of St. Bernardus. I get back too late during the week. No option, then, but to drink what I already have. It's an eclectic mix of gifts, things brought back from holidays and random purchases from De Bierkoning.

I've an idea. I'll bore you by naming them all. Naah. Too much work. But there's a Black Damnation in there. And a Stone XIII, Goudenband, a home-brewed AK, Mackeson, Tsarina Esra Reserva, Sierra Nevada Harvest, a couple of Schorsbräu things, Podge Imperial Stout and Guinness Special Export. Not to forget a can of Gold Label. I hope it will see me through till the weekend.

Not sure why I shared that with you. Just-out-of-work euphoria, perhaps.

Back to the dusty tomes again tomorrow.



Apologies for the blurry photo. Time for the Simpsons and I need to hurry.

Let's Brew 1921 Barclay Perkins BS S Irish Stout type

A special treat for the upcoming St. Patrick's day. An experimental "Irish Stout type".

Barclay Perkins had the advantage of a very flexible brewhouse. Unlike Whitbread, they could brew small batches. Their New Brewery concentrated on small batch beers and experimental brews. It was there most of their many Stouts were brewed. Including IBS or Russian Stout. There were also test brews of new hops. These were usually of one of their mainstream beers - XLK or X - in a batch of just 30 barrels. Most was later mixed in with a full-size batch of the same beer.

The date of this brew is very significant: November 1921.  Just when Ireland was gaining independence. When Guinness, until then the largest brewery in the United Kingdom, suddenly became foreign. Doubtless Barclay Perkins saw this as a chance to take some of Guinness's market.

Zythophile and I have argued in the past that what distinguished London Stout from Irish Stout was the use of brown malt. In Ireland, brewers quickly dropped brown malt after the invention of black patent malt in 1817. London brewers stuck with it to the bitter end. For Barclay Perkins, the distinction was different. As this beer demonstrates. It has a typical London grist, consisting of pale malt, brown malt, amber malt and roast barley. (Don't read too much into the latter ingredient. Barclay Perkins flipped randomly between black malt and roast barley all through the interwar years.)

In terms of ingredients, this beer is pretty much a clone of Barclay Perkins BS. The difference lies in the blending. Of which the log gives a detailed description. At racking time half the batch had old IBS Ex (the strong version of Russian Stout) added and half old BBS Ex (a strong export Stout). Clearly Barclay Perkins thought it was blending in aged beer that was the defining feature of Irish Stout.


That's me done, so over to Kristen with the technical details . . . . .




Barclay Perkins - 1921 - BS - Irish Stout
General info:
Wicked neat experimental stout from BP. Apparently at the time the 'Irish-type stout' was different from their 'London-type' stout in that there was an addition of old/aged stronger stout blended back with the beer. When you look at the grist it’s a very straightforward stout. It dries out very well after racking. They then blend in some of their London export stout at about 10% making a much more robust beer! Experimental indeed! The blending gives a much more complex beer with more dark fruits and bitterness.
Beer Specifics

Recipe by percentages
Gravity (OG)
1.046

6.2% Amber malt
53.6% Mild malt
Gravity (FG)
1.013

8.5% Brown malt

ABV
4.39%

4.9% Roasted barley

Apparent attenuation
71.71%

26.8% American 6-row

Real attenuation
58.74%







IBU
40.3

Mash
120min@148°F
1.21qt/lb

SRM
41


120min@64.4°C
2.53L/kg

EBC
79.8










Boil
120 min













Homebrew @ 70%
Craft @ 80%
Grist
5gal
19L
10bbl
10hl
Amber malt
0.56
lb
0.254
kg
30.27
lb
11.69
kg
Brown malt
0.77
lb
0.350
kg
41.75
lb
16.13
kg
Roasted barley
0.45
lb
0.204
kg
24.27
lb
9.38
kg
American 6-row
2.42
lb
1.104
kg
131.50
lb
50.81
kg
Mild malt
4.85
lb
2.207
kg
263.01
lb
101.62
kg





490.79202



Hops








Cluster 7% 120min
0.98
oz
27.8
g
60.76
oz
1.468
kg
Goldings 4.5% 30min
0.76
oz
21.6
g
47.26
oz
1.142
kg
Goldings 4.5% dry hop
0.37
oz
10.4
g
22.84
oz
0.552
kg









Fermentation
70°F /21.1°C















Yeast
Nottingham ale yeast

1028 London Ale Yeast  - WLP013 London Ale Yeast 









Tasting Notes: Rich and dark. Toasted biscuits, burn bread crusts and coffee. Lots and lots of coffee. Some husky grain mixed in with some spicy hops. Lots of drying tannins. A boat load of dark fruit. Mostly raisins and dried cherries. Very rich but light at the same time.

Ingredients and technique
Grist & such
This experimental ‘Irish stout’ is made with pretty much BP’s standard BS London stout grist. Amber malt, brown malt and roasted barley. 26% American 6-row and over 50% mild malt. No sugar whatsoever. Not a whole lot of places at the time didn’t use at least some portion of sugar. A deep and dark ‘dry’ stout with a lot of tannic character.

Hops
A good amount of bitterness with a definite green tea vege drying character. Some newer Cluster-type hops and Goldings in the middle and dry hopped.  About a 1/6th of the entire hopping was done with old Alsace/ Hallertauer-type hops. Haven’t seen this before but since this is experimental its hard to dry conclusions off one instance. The dry hops are at about 4oz/ bbl which isn’t a ton but will give a definitely hop aroma.

Mash & Boil
A neat little short step mash. A half hour at in a very low saccharification rest and then up to regular temperatures. A single underlet and then a sparge. The ratio of water to grain is nearing current usuage for a lot of ale making. The boil was standard at two hours with the normal stout two hop additions, at make up and then 30 minutes out.

Fermentation, Conditioning & Serving
The fermentation was quite warm. It was racked after a week, blended with the old beer and left to for about 3 weeks before it was conditioned. It was dry hopped and 0.5 gallons/ bbl of freshly fermenting (24 hours) wort from their standard BS London stout was added to each cask. The beer was left to condition for about two weeks. The fermenting wort had an OG of around 1.038 which would finish at around 1.013. So there was about 0.7 pts added to the cask that are able to be fermented to produce carbonation giving a final carbonation of about 2.0 or a little under volumes of CO2. After worting and dry hopping these casks were taken for a ‘walk’.

Gyling & Blending
No gyle but straight blending of beers. This beer was blended with the BS Export stout at 10%.  Here are the numbers:
90% - Irish stout – Pre blend: 1.013FG, 4.4%, 40bu
10% - Export stout – 1.016FG, 7.33%, 102bu
Final Irish stout: 1.014FG, 4.7%, 46bu